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Five new poems by Rebecca
Cook The Intellectual Poets The intellectual poets dissect the world and offer up carefully ordered images arranged in the tasteful etiquette of the elite and I fret and wonder why I cannot do that thing they do so well. We are all full of shit and wonder that we walk upright and have the time to fondle ourselves and our dreams. The full weight of our humanity presses down and enfolds us in ourselves. If I back far enough away and look closely it is always the same thing staring back at me. The arm of the moon reaches toward the earth, the sun untucks her skirts and showers her light on the world. Somewhere a small girl hangs her head over a pool of water and reflects everything that is happening, everywhere, and the intellectual poets paste up their Polaroid's and paint reality with bigger words than I will ever understand, allude to things I will never care to know. Sleek and White Sleek and white in your mouth, effervescent in your lungs. An elegant extension of your arm. Eternity burning between your fingers. I am that sexy thing you do with your hands, steady at starboard, affirming your visible breath. In the soft night, a puff of you lingers and mingles with your comrades. My disciples, all. It was never my intention to harm you. I am the purest pleasure corrupted by greed. Obsession expressed in a chain of beautiful gestures and flicks of the wrist. Art succumbing to starvation. I would take you back to the beginning, if I could. Restore you to joy. Your bright, sparkling breath released in a long, contented sigh. Your perfect fulfillment curling into the air. After We Donate Her Body to Science Her body pinned to the laboratory table, she watches them come in, white-suited, angel-masked soldiers snapping their powdery fingers into place, walking toward her. Her breasts thrown back over her shoulders, a knife separating her into long stripes, its hands larger than the surgical lights on the ceiling. She waits for the sky to open, the mushroom glittering spreading its billion points of light onto her skin, the slow dissolve of her arms, her legs lifting in wisps and puffs. The earth opens its arms and swallows all her breathing. Her brain is large and larger still, a vacuum wanting air. Into vials and tubes she goes jellied and slimed, secure under glass except for her eyes bobbing a petri lake, watching the sawed-off hands clutching the sheet. She comes back to us in paper-- a stamped coffin waiting in the mailbox. We weigh her ashes. One spoonful’s missing. Aggregate Graves A young girl knows she is young and meant to live -Adrienne Rich, An Atlas of the Difficult World When Octavia read the poem to us her tears opened me like a zipper the river of her eyes washed to the courtyard the ice and snow naked bodies blue like fish the air covered with screaming. I don't want to remember. Skeet-shooting babies cold vivisection. Aryan arms washed in sentient suds light soft-filtered through Kosher skin bone ash pushing up Vergissmeinnicht. Bodies laid out in rows aggregate graves on black and white film. I don't want to know. The ovens, the gas. Doctors opening the knees of women doctors breaking the bones of children. The bones. This is what we look like underneath, without the striped costumes. This is the eye that opens and never closes the line of jaw that presses inward and never stops. The flesh of that bone entering my arms and begging to be touched demanding that I fold around it and weep. Pillar of Air God got so heavy he dropped out of my pocket. God swelled so large he burst in my mouth. If he hadn't been so big, I could have hidden him under my eyelids. If he hadn't eaten so much, I could have kept him under my tongue. God was a thorn sticking in my ear. God was a dipper gathering all the rain. God was a puppy with sharp milk teeth. It was an impossible situation. Here's the sound of God dropping to the city floor. Here's the sound of God crying for water. Here's the sound of God's sandals tied together. Here's the sound of God's echo in the temple. I do not look back. |
| Rebecca Cook
writes poetry and prose. Look for her work in Rock Salt Plum,
The Adirondack Review, Northwest Review,
Midwest Quarterly, storySouth, Exquisite Corpse, Carve, The New
Orleans Review, Slipstream, The Comstock Review, Wicked Alice,
and others. Her work was nominated for the Pushcart Prize on 2002 and 2003.
Visit her website, rebecca's
box. email: R.Cook |