The Players – Chicago,
2000
In secret, these people are crazed with
fear, frustration, self-loathing, confusion.
They are whirlwinds of desire to be other
than they are.
They want to be those they have always
envied,
they want to be buoyed by the envy of
others like themselves,
not mere aching sacks of blood &
meat & statistics driving
themselves on with cups of coffee!
But, in public, & properly dressed,
they navigate neatly in traffic that
fills me with dread & adrenaline
in & out of the shadows of the monumental
office buildings & hotels
of the Miracle Mile & Gold Coast,
and - shrewdly, calculatingly
trade chains of restaurants & shops,
& financial instruments
worth far in excess of what I have earned
& spent in half a century
and far more than I am likely to gain
control of, in whatever time I may yet live.
By the latest wireless devices, they
are connected with people
as much like themselves as they have
been able to locate in the chaos akin
to an exponentially explosive sphere
of bacteria
who are dedicated to keeping their information
up to the moment.
When, discouraged by a series of failures
greater than any preceding,
I brood on my inadequacies & bitter
anticipations, & achieve nothing,
tho I waste a day, week, month, or season,
no one but me is more than peripherally
aware of the opportunity wasted,
or of those whose desperate need I thereby
fail to alleviate or transform
(they are completely unaware that I am
attempting to serve them),
until - like a burning coal or log -
that on which I brood
is burned clear down to the purest, airiest,
white ash–& falls apart.
But these people dare not allow themselves
to brood on their discouragements.
They & those with whom they share
the assets they gamble are parts
of one another.
Their next moments, days, weeks, months,
& years are mortgaged
(based on prognostications–by consensus,
realism's pinnacle–shorn
of history, compassion, & hope)
to one another - & to those, exhausted,
who have preceded them in
corporeal & commercial combat,
and now depend on their unceasingly urgent
cleverness, to sustain their
life-support systems.
Their energy, feelings, thoughts, &
innovations are mortgaged.
Their heritage & relationships are
mortgaged.
Their ability to stretch, shake, get
clear, & perceive–out of all habit,
all pre-conception–is mortgaged.
They have plastic & magnetic credit
cards coveted around the world,
by which they command servants wherever
they eat, stay, or shop,
from every neighborhood & from six
continents.
I am insecure, but, when I manage to
extract myself from their sustained
stampede & ever-reiterated rationale,
my moments are totally, awesomely free.
They, too, are insecure–but their unpunctuated
insecurity interacts
furiously with ambition & greed &
others' fierce expectations,
as oxygen interacts with oil, rapidly
combining in a jagged, yet smooth &
supple, dancing flame of orange &
blue,
as tho in a furnace among the compacted
sediments & stone & cables & pipes
& sewers, powering, from below the
streets & buildings, the undertakings of these "players," who "bring
something to the table"
and their servants, whom everyone is
careful never to refer to as servants,
and the children, & the scavengers,
& the imprisoned, & the hospitalized, &
the neurotic & intimidated, &
the cloudy-eyed wanderers, and pigeons, & ants,
& mice, & rats, & statues
of lions & founders, & exquisitely crafted signs,
and the glint of a beam of light breaking
thru from among heavy clouds, &
angling off one of the millions of panes
of glass,
and the low roar of the engines &
tires of the vehicles on their competitive
yet complementary missions.
In public, the players must always appear
upbeat,
and as they are always connected, interactive,
up to the moment,
ready to make an audacious move while
others sleep,
they are always–as they see themselves–in
public.
Their voices & countenances must
be under control & confidence-inspiring.
They must even sleep & wake with
the kind of programmed grace with which a
spot-lighted star, who has rehearsed
lines & cues & positions - performs on stage before attentive audiences.
There must be no compromise with worrisome
& contrary impulses that clamor
from within, for attention, consideration,
use.
When they risk looking at me, they suddenly
relax, & laugh at my appearance.
I am the joker in the deck, the fool
in the court of the castle of treacherous scheming.
Since I am no threat, & have nothing
they value, to trade or exploit,
they forget me in an instant–& hurry
on– as I would pass a sudden black &
gleaming fly, or a discarded can.
I admire their competence!
They are as amazing as eggs, or pine
cones, or snow, or sheet metal, or the
magnitude of gray & hazy Lake Michigan!
They are as entirely alert to what the
other drivers, commanders, traders
might do
as cockroaches with trembling antennae
darting among crumbs on a counter in
the presence of light & humans,
or as sharks in shifting shadows, suddenly
sensing something somehow,
twisting & turning under the Caribbean,
or North Pacific, or east of Africa,
on pavement, in the air, & among
the rooms & artifacts all over Japan, North
America, western Europe individually
- or a whole industrial tribe - or the whole species!
Sensing something that might change
the value of everything to which they
have mortgaged
their hearts & hopes–& every
moment–past, present, & future
.
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