Poems Niederngasse

 Barbara De Franceschi was born in Broken Hill and is passionate about the city and its desert surrounds. A prolific writer of poetry, her work has been published Australia wide and internationally. Barbara is an adventurous writer and is continuously trying to find new ways and forms to present her work. In addition to her writing Barbara runs a local business with her husband, she is wife, mother and very hands on grandmother to an ever growing number of grandchildren. The City Council presented Barbara with a Citizenship Award in 2000 for her service to the community. In 2002 Barbara was awarded the ‘Order of Australia’ medal in recognition of her contribution and involvement in multicultural affairs and events. This commitment continues today and she is currently involved in setting up a permanent Migrant Museum. Barbara’s first collection Lavender Blood was published in 2004 and the manuscript for the second is well under way.

Barbara De Franceschi photograph  -  Boris Hlavica
 

Poems by Barbara De Franceschi


yep born and bred


locals say it all the time
it binds them to a place no one else can enter
where the earth regurgitates
affirmations of control
 
hills surround in an amulet of red terrain
slanted cheeks turn aside
from pockmarks
left by mining wounds
 
tourists are unable to grasp
the affection
just a middling acquaintance
from guided inspection
 
artist come to replicate
vertical light/ surreal colours
the unwitting
they daub forgeries for gilded frames

poppet heads watch amused
(steel physicians that shield the soul)
disused shafts and tunnels
commit to jealous hands

to dig for profit gives a unity
disorder kept for the back roads
where lead-dust provokes the vulgarity
of respiratory disease

sun-blasted streets gather the devotees
their daughters and their sons
to walk on footpath pavers
where history is written on bronze plaques
you must look down upon to read



Zen Moment

a solid white door
free-stands in the middle
of a busy shopping mall

intricate gold symbols
excuse its stark purity
a cross lifted by three lines
olive branches
an elephant totem
 
people stop
embarrassed by their obvious interest
some peek behind
others shake their heads
walk around the door
try to determine its purpose
how it stands upright
with no supporting frame
 
the adventurous knock three times
pranksters shout hello anyone in there
but no-one opens the door

except one feeble gentleman
in tattered clothes
he grasps the carved handle
feels the click
the gentle swing
walks through the opening
followed by a small child

the old man no longer threadbare
shuts the door quietly
continues on without a backward glance
the child is motionless
captivated by shared secrets
a mother’s impatient hand
tugs the child away

puzzlement changes to commotion
hundreds in turn try to follow suit
the door remains firmly closed



Transcendental Energy       

I swing the mind away
from land set aside −
a granite canvas painted with dead names

go with the wind sifting honey grit
across the Sahara
cluster with African violets
at the edge of Tanzania

I search Neruda’s questions
explore a rose
find beauty in the hidden roots of trees
breathe winter’s crisp dry scent
just before frost settles
on the Mundi Mundi plain
 
today I ate last year’s cherries
saved in ruby red liqueur
spat the seeds into eternity
drank the blood of a past summer
tasted a sweetness 
I thought would never come again



No Darkness In Between                                   

selfhood steeps
(a complex fermentation aging with assent)
furrowed between yesterday’s opinion
& new meaning

eyes are tied to questions seen but never heard
I ask the rain if men might kiss men
women love women
without thunderbolts slipping on greasy clouds

tears perch on the tip of my nose
ready to drip complacency on newspaper headlines
treaties struck dumb
national anthems prepared to be sung
out of tune

broken promises for generations
whose offspring walk in fields
where grass and flowers transmute
into exploding dung

a photograph of a woman
face veiled/ three children clinging
she is a deciduous tree
planted in the wrong hemisphere
her pollen distasteful to native bees
her leaves − not knowing where to fall

hearsay heaves with slow motion-sickness
behind barbwire
strange species brood rumour
cankers duly fester
is there a bandaid anywhere?
or a guilt edged invitation
for politicians to join in the reality games

there’s blood on my chin
lips bitten in contrition
I want to be wise without the wrinkles
risen into heaven lustful for life
mourning my own fate I try to be 
sunset & daybreak  


and a special within a special:  The House Giacomo Built
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