Poems Niederngasse

Poems of World War III    
Chuck Levenstein
Vanity
 
The temptation to make WW III mythic is great:  hurricanes, earthquakes, tsunamis, the earth rising up against its despoilers, wrathful gods blowing fierce winds, an underworld of fire forced to erupt, if not in self-defense, at least in vengeance; and Neptune, furious, triton in hand, raging against the defiling of his domain –
 
But why would the gods strike the poor and the helpless, no less victims than the dolphins or deer?  Is there influence peddling across the sacred divide?  Are the aged, trapped on the high floors of assisted living also doomed as human sacrifice to appease the Grand Designers?  How are we to understand the frantic dogs, the drowned cats?  Indeed, if avian flu is one more punishing act of the gods, why must chickens suffer as disease prepares itself for a full-fledged attack on humankind?
 
Vanity is at the center of all this calculation, all this imagining.  If we grant the god-seeking impulse and credibility at all, are we incapable of seeing that the fish themselves may have offended some divinity?  Perhaps some awful sea serpent has annoyed Valhalla with its slippery ways, it’s ancient interference with Viking exploration – and the gods, who had high hopes of extending their rule to the New World, are still pissed off.  Didn’t the pre-Columbian Mexicans worship a plumed serpent and, therefore, some winged sinner, a bird on the run, provoked the flu – humans may be collaterally damaged and not the primary target at all!


Tread Mill
 
I have an hour to write before rushing to my weight-lifting and strength-building class, not billed as “for mature adults”, nevertheless filled with pot-bellied grizzled men, half on beta-blockers, one with a titanium hip, the rest of us just soft from too many years of not-work, single malt tastings, exquisite cheeses, multi-grain crackers with strange seeds, and seared tuna.  Free range people.  Specially prepared for discerning cannibals.
 
Sometimes I imagine that I was a rich person mistakenly born to the working class.  The inner flaneur required decades to emerge.  Dawdling at cafes, speculating on the decline of the West, staying out of jail after very brief and youthful extravagances of empathy, also avoiding getting arms wrenched heads smacked etc. by exuberant cops, all of this not-work exacts a price from the corpse:  belly and old man tits, ass dragging.
 
Ten years ago I walked into a neighborhood fish restaurant and sitting there was the inspiration, the muse of demonstration, freedom schools, marches for peace and justice, still as beautiful as when she was Juliet of the spirits, heroine of the Alexandria Quartet, the reason to sing “Ain’t Nobody Gonna Turn Me Round”.  And I was stuffed into shirt and tie, jacket too tight to close, beard unruly and soft bald head.  Embarrassed professor.
 
Now I am without shame.  Or perhaps consumed by it.  Once I was furious at the French pharmacist who cried as the fascists took away two Jewish girls, what else could he do, he says in the film, I cried he says.  Now I cry as the NY Times reports on force-feeding of Guantanamo prisoners, I protest loudly to friends about the abandonment of pensioners, I could make a list and you would be bored with the common offenses against humanity in general and persons in particular.  They are reported in the daily news.  You can read them while walking on a treadmill at the club.


Chuck Levenstein is a contributing editor for Poems Niederngasse.